|
 
Unit
2 - Theatre History
Module
4: Theatre Era Project
Lesson
1 - The Project
Introduction:
Once
you have had the opportunity to explore basic dramatic skills
and the history of the theatre, you can focus on an area that
interests you. This open-ended project is designed to provide
that opportunity in combination with presentation skills.
Resources:
(pdf's) Project
Outline; How
to Direct a Video
|
Activities:
The
Preparation Process
Step
1 - Think about your personal goals for this class:
1. What do you really wish to accomplish?
2. How can you improve your skills and challenge yourself?
Step 2 - Choosing a topic and project:
1. Think about your interests and talents
2. Look through the list of possible topics and projects.
3. Select
a topic
Step
3 - Choose a collaborative group only if you must
1. Your
Theatre History Project may be done individually
or with a group (You may choose to work with others only if
it is relevant to the topic).
2. Each person is responsible for a specific area of study
and yet the presentation is done as a group.
*Suggested
time of 10 classes to complete the project and you will need
to complete some of the work outside of class time.
Possible
General Topics:
-
Ancient
and Classical Theatre
-
Greek
-
Roman
-
Choral
Speaking, Chants
-
Ritual
-
Masks
-
Dionysus
-
Acropolis,
Ancient Theatres
-
Egyptian
-
African
-
Asian
-
Mythology
-
Middle
Ages and Renaissance
-
Commedia
del Arte
-
Travelling
Troupes
-
Morality
plays, Satires
-
Costumes
-
Puppets
-
Elizabethan
-
Shakespeare
-
Marlowe,
Jonson
-
Globe
Theatre
-
Neo-Classical
-
18th
Century & 19th Century
-
Victorian
-
Edwardian
-
Restoration
Theatre
-
Drawing
Room drama
|
-
Oscar
Wilde, George Bernard Shaw
-
Upper
Class Issues
-
Modern
and Contemporary
-
Irish
Theatre - Synge, Behan, Joyce
-
Abbey
Theatre - W.B. Yeats
-
Realism
- Ibsen, Chekov, Strindberg
-
Political
- Brecht, Arthur Miller
-
Absurd
- Beckett, Ionesco, Havel
-
Theatre
of the Oppressed - Boal
-
Modern
- Pinter, Albee
-
American
Theatre - Tennessee Williams, Sheppard, ONeill,
Miller
-
Living
Theatre - McClure
-
Theatre
of Revolt
-
Avant
Garde - Wooster, Robert LePage
-
Multi
Media - Laurie Anderson, Spalding Gray
-
Clown
- Mump & Smoot
-
Collectives
- Passe Mureille, Paper Wheat
-
National,
Regional Theatre
-
Puppet,
Marionette
-
Musicals,
Broadway
-
World
Theatre
-
Kno
Theatre
-
Indonesian
Shadow Puppets
-
Africa
-
China
"Beijing Opera"
-
India
-
Brazil
"Theatre of the Oppressed"
|
perform a scene (or
monologue) from a specific
play; include script
analysis showing "objectives"
and "beats".
create a maquette
for the set for a
specific play; explain
the reasons for choice
of colour, texture,
placement; is it realistic,
minimal or symbolic;
possibly build or
paint a set piece.
direct a video as
a movie trailer for
a specific play; capture
highlights from various
scenes, build interest
in the plot, create
an effect.
film a documentary on the era.
mix
two eras to create a new scene
design
costumes for a specific
play; create one costume
piece; recreate a period
piece.
build a prop piece for
a specific play (or
a set of connected props);
research the proper
material to be most
effective.
create a music composition
for a specific play;
if possible, play or
record the music; explain
the significance of
the music.
create a lighting plan
for a specific play;
explain choice of colour,
placement and effect.
If possible, show the
lights on a stage -
or, if not available,
draw the plan and make
a cue by cue.
create makeup (possibly
hair and clothing),
for a specific character;
design on paper first,
then create it on a
model; explain choices
for colour, textures,
etc.
draw a story board for
a play; create each
scene in a drawn (cartoon)
panel - you can use
stick figures with written
detail if drawing is
not a strength.
film or stage a talk show with famous people from theatre as
guests.
write a research paper.
write
and illustrate a childrens book on theatre history.
create a model of the Globe Theatre or the Acropolis.
design and create masks for a specific play.
Part
1 -Submit an Outline:
(If
you are working in a group, each member must still
submit his or her own outline.)
|
|
Include
the following in your outline (due at the end of your second
work day):
1. Describe
the project in detail.
2. Describe the role (duties & responsibilities) of each
person involved.
3. What are expected outcomes with regards to performance,
display, video, demonstration, costume, set, etc.?
4. How will it be presented?
(Attach drawings, designs, images, scripts as needed for marking.)
5. Create a timeline to indicate work expected for class and
homework.
6. Summary Notes
(Keep point form notes on your topic and ideas that come to
you as you complete your research. Number each point as you
need a minimum of 50 points. Attach pages as needed.)
Part
2 - Work on the Project:
1. The
process will be monitored and evaluated daily (for example:
attendance, daily effort, responsibility for own work, initiative,
staying on task without prompting from me.)
2. The
teachers role is as facilitator and guide; to offer
advice, instruction and critical feedback as required. As
on any independent project, you must be careful to keep yourself
on task.
3. You
have a total of 10 days, 8 of which will be dedicated to working
on this project.
Part
3 - Present your Project:
1. Your
final day of work time should be used to practice your presentation.
Remember that a portion of your project mark is allocated
for how you present.
2. Project
presentation times will be scheduled following the 10 days
of work periods.
Evaluation:
You will be evaluated on your project outline (including description),
drawings, timeline and summary notes. You will also be evaluated
on your project presentation.
Next
Lesson / Previous Lesson
|
|
|