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Unit Four - Script Analysis
Module 2: Text
Lesson 3 - "Much Ado About Nothing" and Subtext

Introduction:
The purpose of this lesson is for students to be able to find the meaning behind the lines.

Activities:

Activity 1 - Viewing and Reviewing
Before beginning, read and discuss "Looking at Plays", Appendix B of the Drama 30 Curriculum. (40 min) View the video Much Ado About Nothing, directed by Kenneth Branagh. (2hrs, 20 min.) Stop frequently to discuss the events and characterization in the video.

Print the pdf Reviewing assignment, and complete the written review. (2 hours)

Activity 2 - Finding Subtext

Key Idea - Subtext is what the character is means when saying his or her lines. For example, when someone says, "My, what an unusual color!" he or she is really saying, "That color is ugly". Finding subtext is the art of finding the truth under "little white lies" or other misleading statements.

A. Conduct a talking circle to discuss the use of subtext in our everyday lives. Each person should give an example of his or her use of subtext in "real life". Discuss when you are most likely to have heavy subtext in your conversation.

B. Read this short, witty passage where Beatrice and Benedict are insulting each other. Try to find the subtext under what they are saying. Why do they pay so much attention to each other constantly?

C. With a partner, you should look at the sample subtext lines as an example. Then you should rewrite the scene, substituting the subtext for the real lines. After practicing the scene several times using the subtext, you should try the real lines again, but keep hints of the subtext in your work. Then perform your work for the class.

Download
and Print

Much Ado
about
Nothing

Activity 3 - Journal
Write in role as either Beatrice or Benedict about why you hate the other character so much.
Your journal must be at least half a page in length.

Good links for the Shakespeare based activities are found in the Links page.

Evaluation: Your teacher will tell you how you will be evaluated.

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