Unit
3 - Character
Module
3: Developing Character
Lesson
3 - Improvisation
Introduction:
The purpose of this lesson is to give students the opportunity
to explore their characters through improvisation.
Objectives:
- to convey relationships to other characters in a scene
- to use improvisation to contribute to the creations of work
of dramatic art
- to use improvisation to explore characters and situations
- cooperate with others
- to feel secure in the class
- to reinforce previously developed dramatic abilities and understandings
Resources:
(pdf) Improvisation Scenarios;
simple costume pieces
CELs:
C, CCT, IL, PSVS
Components:
Creative/Productive
Activities:
Note:
Students should have a pretty well developed character by
this point. The monologue is written and the background
and personality of the character has been established. The
purpose of this lesson is to encourage them to stay in character
and to explore the parameters. They need to have some fun
with the character and try new things. Surprise themselves
- and you perhaps. |
Activity
1 -
Gesture Pass
Students
stand in a circle, one begins by making a gesture with a sound
to the person on the right. That person must repeat the same
gesture and sound back to the first person. Then they turn to
their right and pass a new gesture and sound, which is repeated
back. And so on around the circle. The idea is to become loose
and spontaneous, follow impulses and do not judge responses.
Activity
2 - Walk About
Begin with a group stretching session. Use yoga to keep flexible
and loose. Stretching also helps focus the mind and connect
the body to the mind. Once loosened up, students are to begin
moving about the room in a random pattern. Play some soft music
to set a quiet, focused mood. They are to pay attention to movement,
tension and flow in response to certain words called out. For
example: smooth and loose; smooth and tight; sharp and quick;
sharp and slow; swirl and high; swirl and low; etc. Use a variety
of combination of words. Ask students to also focus on certain
body parts for the movement to originate - such as the hand,
the hips, the nose, etc.
Common
Movement Verbs:
* THRUSTING * FLOATING * PUSHING * SLASHING
* GLIDING * WRINGING * DABBING * FLICKING
|
Continue
the warm up exercise into movement representative of their character.
Move about the room as their character would move. Call out
various instructions, such, "get yourself a beverage -
what kind is it and how do you drink it?"; or "waiting
in line at the bank - how patient are you?"; or "buying
a vehicle - how old/new and what kind?".
Activity
3 - Whole Group Improv Scene:
Using the suggestion for place as decided upon by the class,
set up a space for the improv to take place. Some guidelines
to remember include:
-
at
any point your character may enter or exit.
-
try
not to have too many in the scene at once, or too many story
lines, as it gets too confusing.
-
listen
carefully and respond - advance the story.
-
stay
in character at all times.
-
at
any point, the teacher or students may call Time Out
and everyone must stop and listen. Suggestions may be given
to help advance the story, or implausible actions questioned,
or new conflicts presented.
-
if
the scene is not working, just stop it, discuss it and come
up with a new scene.
Activity
4 - Spontaneous Inner Monologues:
Assign unlikely characters into small groups of three
or four. Give each group a location for the scene and a problem
(or let them give scenarios to one another) - such as: a minor
car accident, with 2 drivers, and 2 witnesses; or in a hospital
waiting room and the TV keeps losing reception; or standing
in a long line up to see a movie and some one lets in a friend.
Once
the groups have been formed and scenes given, tell the students
that as the scene is played , at any point an audience member
can call "I.M. Bob" (use someone's name)
and the others go silent while that character says the inner
monologue revealing their true thoughts. Characters must remember
that whatever they hear revealed, they cannot respond - it
is "inner thoughts".
Instructional
Strategies:
Improvisation, role play
Evaluation:
Participation in improv exercises, journal entry.
Alternative
On-line Activity:
The
activities above may be performed with a partner in the remote
location. However, there are also ways students can accomplish
the same goals within the context of a normal day. For example,
students might try to stay in character while doing something
with friends like eat lunch or going to movie. Another exercise
might be phoning another on-line student in character. The
phone call can be arranged in advance, and students can identify
the conflict, then stay in character as they have the conversation.
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