

Unit
One - Introduction to Drama
Module
2: Actor's Tools
Lesson 1 - Identifying Objectives
Introduction:
The purpose of this lesson is to give students familiarity with
motivation and objectives.
Objectives:
- to demonstrate the ability to portray a character's motivation
within a scene
- to understand objectives as a character's "wants"
- to use improvisation
to explore characters and situations
Resources:
theory of objectives,
response handout, Macbeth
analysis sheet, interview
improvisation evaluation sheet
CELs:
C, PSVS
Components:
Cultural/Historical, Creative/Productive, Critical/Responsive
Activities:
Activity
1 - Warm Up "Grab the Ducky"
This
game is about being able to focus on the objective - which is
to grab the ducky:
- form
two even teams of six and stand facing each other in two rows.
- count
one row off "1, 2, 3" etc. and count the other off
in the opposite direction (Sound confusing? This means the
"1" is facing "6" and "2" is
facing "5".
- place
the desired *ducky on the floor in the center between the
two rows. (*The object can be anything you have handy).
- the
teacher calls out a number between 1 and 6 - those two people
have a goal (an OBJECTIVE) to get the ducky back to their
team without being tagged by the other person. There is a
certain amount of skill needed.
- you
can complicate the game by calling out more than one number.
- when
they are getting tired of the game, tell them they have 1
minute to come up with a plan in which they can use all 6
team members. The results can be very interesting (5-10 min).
Activity
2- Interview and response
Read the theory objectives
yourself to prepare to teach it.
Have your students interview three people outside class about
a difficult personal experience. The students must create a list
of approximately 10 questions and include three required questions:
What were you intending to get and/or accomplish? What tactics
did you use to get what you wanted? What obstacles prevented you
from getting what you wanted?
After
conducting the interviews, the students should record the similarities
in the types of responses on a Response
sheet (handout). These sheets of paper become the basis for
dramatic interviews. (60 min. or homework)
Activity
3 - Interview Improvisation
Break the class into groups of two and have groups trade responses
sheets. Give a definition of one of the goal terms (objective,
motivation, intent) and discuss it as a class. Explain why having
a goal is essential for good characterization.
Each individual in the group then reads the information on the
his or her new response sheet and creates a new character from
that information.
Each
partnership chooses A and B: the objective (intent)
of character A will be to gain B's sympathy about
(or help with) the issue from the response sheet. A and
B conduct an improvisational discussion. Then B
sets a goal of proving his or her character did the right thing.
A and B again discuss, this time using B's
response sheet. A does not return to his/her original character
for the second improvisation.
Following
the improvisations, the actors discuss what worked and did not
work in achieving their objectives (intents). Each then writes
a journal article of at least 1/2 a page on the process. (40 min)
Activity
4 - Finding Objectives from Text:
Read Act I, scene vii of Macbeth as a group and discuss
the meanings of confusing words. Create a written summary of what
happens. Then use the handout
to create an analysis of the subtext (what is being said under
the actual words) and the objectives of the characters. Have the
actors re-create the scene using the subtext or objectives as
their lines rather than the original text. Practice and play scenes
for the class.
(120 min.)
Instructional
Strategies: Interviewing, Role Playing, Discussion, Homework,
Reading for Meaning, Guide for Reading
Evaluation:
Do a homework check for the completion of interviews. Use interview
improvisation evaluation sheet (pdf). Complete your Macbeth
scenes and discuss as a class. Evaluation could be conducted on
quality of written work on the handout, group skills, or clarity
of objectives and subtext.
On-line
Activity Alternatives: The interviews could be conducted in
communities of origin and responses could be faxed or e-mailed
to the teacher and other classmates. Individual scenes could be
video taped and the use of time evaluated by the teacher-supervisor
on site. Text analysis of Macbeth could be e-mailed or
faxed and a journal article could be completed on the quality
of the final scene. Journals could be submitted (individually
or as a group of journals at the end of the course) by e-mail.
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