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each student is given either plasticine or clay and a form
to work on (this may be old mannequin heads if available or
simply crushed and taped newspaper into a rough head shape
and size).
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play soft music and instruct them not to speak to one another
as they work.
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shape
the modeling substance into the face, or symbolic face of
your character. Try not to intellectualize the process too
much - trust the instincts.
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once
the face is completed, cover it with plastic wrap (this creates
a release for the mask so it comes off easily)
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cover
the face with your mask material - either plaster bandages
dipped in water or papier mache. (Tissue from old clothing
patterns makes a wonderful papier mache as the texture is
fine and light.) You will need about four layers to make it
strong enough.
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consider
working around the eye hole and nostril holes (otherwise they
will need to cut them out later, and it is a little difficult
to cut plaster).
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consider
leaving the mouth and chin open so that they can talk with
the mask on. Facial hair can still be added to create an effect.
Upper lips can also be shaped to on the mask to create an
effect.
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Once
the mask material is dry, pull it from the modeled face. The
modelling material should be in good condition to use again
and again.
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make
holes on either side of the temples and thread through elastic
or string for tying onto the face. Use scissors to to trim
any part needed.
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the
mask is now ready to paint and decorate as they please.
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