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Unit 3 - Character
Module 3: Developing Character
Lesson 4 - Physicality & Mask Work

Introduction:
The purpose of this lesson is to allow the student to experience the use of mark in exploratory drama.

Resources:
Handout: "Mask Making Ideas and Materials" (Opus Framing PDF);
books on making masks; plaster bandages or papier mache, vaseline, scissors, plasticine (or clay), plastic wrap,elastic ties, acrylic paint, brushes, a variety of mixed media as needed (such as feathers, wool, hair, glitter, buttons, fabric, etc.), glue (hot glue, silicon or latex).

An excellent video: Pierre Lefevre on Acting, (National Theatre School), National Film Board of Canada (39 minutes).


Activities:

Masks can help create characters larger than life, and encourage greater physical expression (even with previously shy students).


Latex mask

Latex mask

Activity 1 - Looking at Masks:

You should read the following information and be able to answer two questions:

1. What are masks made of?
2. What is the purpose of masks?

The purpose:

  • religious or spiritual (ceremony)
  • to tell a story
  • to show a transformation
  • to record a family history (like a family emblem or crest)
  • for aesthetic purpose (beauty)


"Dragon Helmut"
Duncan Eagleson

Masks can be made from many different media:


"""Faerie Mask"
Duncan Eagleson
  • paper
  • leather
  • tin
  • clay
  • latex
  • plaster
  • papier mache
  • fabric

"Lunar Mask"
Duncan Eagleson

Activity 2 -
Making the Mask

Activity 4 - Mask, Movement and Music:

You are to prepare a mask and movement piece, without speaking, to music of your choice. You are to select the music you think best reflects the character. The movement to the music may be interpreted a number of ways.You may feel most comfortable in dance like expression - while others will find it easier to express movement tied to a specific scene. For example, the character might be relaxing after a hard day at work, or making supper, or trying to find a lost item, or painting a room. Find your best method of expression and interpretation through the music selected. (20 min.)

Evaluation:
You should design an evaluation for their own mask work. It should be out of 50, including at least 15 marks for interpretation, and at least 15 marks for mask construction. The mask to music scene should be performed for the class, and the teacher will mark the work based on the evaluation sheet the you have designed. The teacher may wish to set additional categories to be included in the evaluation such as: use of class time, difficulty of work attempted, lyricism, expression, or use of movement.

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Note:

A mask is traditionally treated with great respect. Treat it carefully. Never play or fool around with a mask.

You are to turn your back from others when both putting it on and when taking it off.