

Unit
3 - Character
Module
1: Ways Into The Work
Lesson
2 - What is a Monologue?
Introduction:
Students
will be introduced to the concept of monologues through reading
and research.
Objectives
- to use improvisation to explore characters and situations
- to listen to the ideas of others
- to initiate ideas for drama experiences
- to become
confident at communicating a character through speech
- to understand the historical and cultural influences on a play
Resources
Sample monologues (pdf links are below), monologue on the internet,
resource books with monologues for both male and female, Historical
Background notes.
CELs
C, IL, CCT, PSVS
Components
Creative/Productive, Cultural/Historical
Activities
Activity
1 - Warm Up:
Have students stand in a circle and stretch and breathe in through
the nose, out through the mouth. Use stretch to reach up and then
bend at the waist - as they fall exhale with a sound. Begin walking
about the room with various movement qualities and sounds: vibrate;
slide; bounce; shimmy; jab. (5 min.)
Activity
2 - Concentration Exercise:
Find partners, call each A and B, stand facing one another. A
is to begin a monologue about shoes - B starts a monologue about
a movie at the same time. Their job is to concentrate on their
topic while trying to make the partner lose their concentration.
(3 min.)
|
Key
Question : How do an actors keep their concentration
and remain in character? What is the best way to speak in
character - what happens to the body physically? (2 min.) |
Activity
3 - Reading Monologues:
Select a variety of monologues to read aloud as a class. Try to
pick a variety of styles, age, gender, and topics. Look for monologue
collections, select a monologue from a specific play, or use the
sample PDF monologues below (just click on the title to go to
a printable version) (35 min.)
"The
Break: 10 the Hard Way"
- by Cliff Burns
These
6 monologues have been selected from a one-person show on the
theme of relationships breaking up. In the original collection
there are ten monologues written for ten separate characters,
with a wide range of emotions depicted. Though written from a
male perspective, either gender can play the role for the purpose
of the classroom exercise. Strong language has been used in some
cases, feel free to adapt it as needed. Perhaps, after reading
the break up stories, students may be inspired to create their
own monologue on a similar theme.
Questions
to consider as you prepare the monologue piece:
1) Who is speaking? List qualities of the persons character.
What might the person looks like?
2) To whom is the monologue addressed? What is the relationship
to this person?
Discuss
how the type of monologue reflects upon the character represented.
How might the character be portrayed in different settings?
Activity
4 - Background Information
Have your
students read the information on the historical monologue. Ask
them five questions regarding the content and have them write
responses on a paper to check comprehension. These quizzes might
be peer-marked out of 5. (10-15 min.)
Historical
Background on the Monologue as a Art Form:
- began
in the 18th century
- Samuel
Foote (1721 - 1777), British satirist, wrote burlesque
which mimicked well-known actors and political figures
of the day
- George
Alexander Stevens, in 1764 he wrote Lecture upon
Heads, in which he lampooned many common stereotypes
and social behaviors. Was very successful, his shows
ran a thousand performances each. He was the inspiration
for many others.
- Ruth
Draper performed her one-woman shows in the 1920's -
1940's in England. Her "monos" were two hours
long and involved various characters created from her
imagination. She spoke many languages and performed
all over the world. She portrayed a variety of characters,
from all walks of life and developed the monologue as
a mini play. She never used a script but relied improvisation
- always looking for new ways to express herself. She
use only simple props to create her magic. She felt
if she truly committed herself to her imagination in
creating her characters, the audience would believe
in them.
- Historical
Monologues - shows created on real people, such as Charles
Dickens, Mark Twain, van Gogh and Georgia O'Keefe.
- Modern
Soloists - many famous shows on Broadway, Rob Becker's
Defending the Caveman is the longest running on-man
show. Shirley Valentine, performed by Pauline
Collins, Search for Intelligent Life in the Universe,
by Lily Tomlin, and Alec McGowan in The Gospel According
to St. Mark are a few examples.
- Eric
Bogosian, Laurie Anderson and Spalding Gray are a few
artists whose work has been in the modern theatre, often
employing multi media effects.
- Rick
Mercer, Mary Walsh and Cathy Jones, from This Hour
Has 22 Minutes, are good examples of topical (Canadian)
humor which involves creative characters who rant in
a short monologue.
- There
are spoken word artists, such as William Burroughs,
Henry Rollins and (Saskatchewan writer) Sean Virgo,
who have produced their work on CD.
- Due
to the simple (and low cost) nature of the monologue,
it is often seen at Fringe Festivals across the country,
thereby securing the reputation for cutting edge viewpoints.
(Source:
Creating Your Own Monologues, Glenn Alterman, Allworth
Press, New York, 1999)
|
 |
Brainstorm
all the ways in which a monologue may be invented - create
a web of ideas to show sources for inspiration. For example:
character types, locations, political issues, parody, a
memory, a dream, etc. (5 - 10 min.) |
Activity
5 - Improvised Monologues:
Ask students to write a stimuli for a character scenario on
a slip of paper and put it in a container. Ideas of inspiration
may be a problem in a specific location, a certain class
of person, or a situation. Ask them to try to offer conflict
in unlikely settings - something with a problem to resolve.
For example:
Take
turns pulling scenario ideas out the container and play them out
as monologues. Time them to 1 minute limits. Don't tell the audience
what you are doing - show it, do it. (10 -15 min.)
 |
Discuss
the statement "the more the actor believes in the
situation, the more the audience will believe it". Tell
your students to commit to the idea, whatever it is. (3 min.) |
Instructional
Strategies:
Peer practice, drill and practice, Structured Overview, Reading
for Meaning, Concept Formation, Role Playing
Evaluation:
Participation may be evaluated, and a brief quiz on the historical
monologue is appropriate.
On-line
Activity Alternatives:
The
above activities can be done in a remote location if students
have a partner to work with, while historical quizzes can be e-mailed
or faxed to the teacher. Brainstorming can be accomplished through
a threaded chat. Suggestions for improv can be posted on the class
web site, and students select their scenarios and play them out
with their local groups.
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