

Unit
3 - Character
Module
1: Ways Into the Work
Lesson
3 - Objectives & Obstacles
Introduction:
The purpose of this lesson is to reinforce the understanding
of objectives and expand the students' application of the concept.
Objectives:
- to use
improvisation to explore characters and situations
- to become confident at communicating character through movement
and gesture
- to become confident at blocking improvised or scripted scenes
- to demonstrate an ability to portray a character's motivation
within a scene
- to reinforce
previously developed dramatic abilities and understandings
Resources:
(pdf) Objectives in Acting,
(pdf) Actable Verbs (extensive
list), a variety of script selections for analysis - (pdf) "Angels"
1 act play is one example; Improvisation
Scenario examples.
CELs:
C, CCT, PSVS
Components:
Creative/Productive, Critical/Responsive
Note:
this lesson includes some work for advanced Drama
students. The term "beats" and in-depth script
analysis is a University level concept some may be ready
to approach. It is not necessary for all students, and may
in fact deter those not yet ready to handle the concept.
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Activities:
Activity
1 - Learning Concepts:
General Handout: "Objectives
in Acting" and "Actable
Verbs"
Use the handouts to begin review about objectives and obstacles.
Talk about famous characters from plays you have read (or even
movies) and determine what their objectives and obstacles are
for particular scenes. For example: Willy Loman, Death of a
Salesman, talking to his boss about being "retired"
from his job; or Hamlet in the "to be, or not to be"
soliloquy. Look at script selections and identify objectives and
obstacles as a group.
If you feel the class has a good grasp of objectives and obstacles
form unit 1 and reviewing, discuss the advanced notes. (10-15
min.)
Advanced
Background Notes (Optional):
Discuss the concept of a beat as a class.
Acting is doing, it involves verbs and action. The smallest unit
of conflict is called a "beat". We can break scenes
into beats to better understand the play. Information for the
character comes from the text. The director and actor must first
understand the script, which allows them to interpret the beats
in interesting ways. (5 min.)
A
beat should have 4 elements:
Action
(something to do) |
Objective
(something to want) |
Obstacle
(something to overcome) |
Inner
Image (something to motivate) |
Activity 2 - Warm Up:
Begin thinking of motivation in terms of an objective as an action
- verbs. Ask students to begin moving about the room in a random
pattern. As they walk they are listen to the verbs called out
and to respond accordingly. Use the "Actable Verbs"
list. For example: the instructions are "I want to comfort
(or other verb)", "I want to threaten", or "I
want to beg". etc. (3-5 min.)
Once
they seem to understand the concept of objectives, have them move
into 2 groups - the groups will be given different verbs, privately,
and then allowed to move and interact with one another. For example:
one group is given the verb "to threaten" and the other
group is given the verb "to tease". What happens in
the interactions? Keep changing the verbs and watch how relationships
change. (5 -8 min.)
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Talking
Circle: Discuss a major objective that many teenagers
face and the objectives to achieving it. (5-10 min.) |
Activity
3 - Improvisation Exercise:
Students take turns doing improvised scenes in partners, in which
the group provides each with an objective and an obstacle - they
also need to give a context for a scene. (Allow 1 minute for the
scene.)
Example:
Two people trying to paint the kitchen - one wants
"to impress" but is out of shape and tires
very easily; the other wants "to ignore"
but has a very bad temper. The scene has all kinds of
possibility for conflict between characters and internal
conflict as they deal with their personal objectives and
obstacles. It provides texture to the scene.
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The above exercise can be played many times as students explore
ways into character. An alternative is to set up three containers:
1 - situations, 2 - objectives, 3 - obstacles. Let students choose
randomly from the containers.
Sample
Improvisation scenarios (pdf).
Activity
4 - Advanced Improve Exercise (optional):
Ask students to work with a partner to create a scene which shows
the 4 elements of a "beat". The audience should be able
to identify the elements in the scene. ( 5-10 min., plus performance
time)
Activity
5 - Extended Exercise (optional):
Ask students to work with a partner and develop a scene in which
the objectives change at least twice for each person. Why do "wants"
change in a scene? How can a scene be developed to show these
changes. Allow the partners to work on who their characters are,
their relationship to one another, where the scene takes place
and why. (15 min. plus performance time)
Example:
Two secretaries in the same office who have just heard there
is a new opening for position of Senior Assistant to the
Director of the company. What is their relationship to one
another? How do they feel about getting the position? What
will they do to get it? Is their friendship an obstacle?
Show the initial "I want ..." and the change in
the "I want..." as the scene evolves. |
Instructional
Strategies:
Improvisation, role play, games, reflection, explicit teaching
Evaluation:
Evaluate
participation out of /10
On-line
Activity Alternatives:
All
of the activities may be performed with the partner at the host
school except for the talking circle. It may be done through
threaded discussion, or a password protected chat.
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